Jim Rothfork asked:


So you’ve decided to plunge yourself into the world of game development, have assembled a team of mighty warriors to tackle all the big issues and are ready to create the next best game in the industry… trumping WoW, Guild Wars… (you get the point). You’ve chopped up all your brainstorming and assembled some really keen concepts for a storyline and you’re ready to go. But amongst all the programming, the character concepts, the dungeons, and the quests – what are truly the most important aspects of your game that will determine whether someone enjoys themself? Read on, and allow me to share with you what I think.

When we do decide to take that plunge into the development of a new game, there are five things you should consider very carefully, and pay a great deal of attention to. There are probably more of these that will hinder or help you along your way, and your ordering may be different than mine, but these are what I always hold to be the most important. Over the next week we will reveal each aspects, and at the end of the week culminate with the complete article. For today we’ll begin at the top, with number 5.

Number 5: Storyline

When crafting your game, there is no better inspiration for features and activities, quests and dungeons, than your very own highly developed and custom tailored storyline. Some may balk at this statement, claiming that storyline is easily overshadowed and un-necessary when you have intense graphics that make your fingers tingle, or when you have combat so intense that you’re literally ducking out of the way from behind your monitor. While these things definitely contribute to an awesome game, and can lead to a lot of excitement (in fact, they’re on the list too!), they cannot make up for a lack of storyline. One thing many players crave whether consciously or not, is a strong storyline that leads them into caring about the game – it entices you – and makes you feel as though your wildest dreams may in fact be possible in this environment. Storyline can be simple and to the point while being so flawlessly done that it serves as the crux of the entire game (EVE Online: We’re flying through space, blowing people out of the sky…) and at the same time being so rich and deep with lore (the complexities in lore and story surrounding EVE is so great that it entangles even the most basic ships and inventory items) that it compels players to write their own histories.

Not only does storyline help players become engaged with all that you’ve slaved over and worked for, but it helps you the developer along the way. If you’ve been smart, and from the beginning dreamed up an intoxicatingly deep history of your game setting, it will constantly serve you throughout development. It will provide clues into what features want to be a part of the game, what doesn’t need to be included, and what does or doesn’t fit. An architecture professor of mine once said, when referring to the site analysis portion of architecture that we could find out a great deal about what we should be building on the building site by simply visiting the location, and “envisioning the invisible building that wants to be built”. This is true in architecture, and it is especially true in game development and dreaming up your storyline/game setting.

Storyline may be important, but is it more important than a snazzy game setting so rich and vibrant that your tempted to stay indefinitely? Well, maybe – just as long as your 3d representation isn’t bogged down by hundreds of thousands of nasty polygons or quads. Why in the world is Artwork important, anyway?

Number 4: Artwork

I’ve heard many, many times that the artwork/3d models/characters found in your game won’t make or break things. I agree with this in that it won’t make or break the entire game, but artwork and professional looking/feeling models definitely help you out along the way. Think of any movie you’ve seen recently where the sets were absolutely incredible and stunning – one such example (although not necessarily as “recent”) are the Lord of the Rings movies. Throughout the entire set of movies, rich and diverse settings are abound, and help the immersion factor like you wouldn’t believe. Would the movie have been “broken” by less awe-inspiring scenes? Probably not, because in the case of The Lord of the Rings, there were a lot of other incredible aspects. Did the awe-inspiring scenes make the movie just that much better, and give it just that much *more* to drool over? Yes, Definitely. The same kind of effect can be seen in the game industry. I play games that have incredible graphics (EVE Online) and other that don’t (Dark Ages). I am however, addicted to both of these games for different reasons, but you can bet that the stunning environment in EVE certainly helps to inspire its large player base.

Additionally, your artwork can seriously effect the mechanics of your game. Many developers over look an incredibly important aspect of their 3d models – poly count… That’s to say, the number of triangles (or *shiver* quads) your game has. Many of the free 3d models you may find on the internet are gorgeous, but are so incredibly detailed that using them in a computer, real time environment would not be wise because you are typically trying to appeal to as many systems as possible. Console systems have the luxury of (for the most part) assuming that everyone’s running on an even playing field. Those of us developing games strictly for the computer don’t have this luxury. Suffice it to say, it’s important to find quality, low poly game content, and there’s certainly enough of it out there that there’s no excuse for you to be shoving your game full of characters that are in the 10,000 poly range (many online companies limit their avatars, or characters, to around 2500-5000 polys).

The lower your poly count on your 3d models, the smoother your environment is going to run on the widest range of computers… usually. One thing to keep in mind throughout this entire process is how your engine handles polygons, and to find out what the ideal poly range is that you want to aim for for characters and scenery. In most cases higher character polys are more acceptable, with scenery (buildings, trees, etc) being lower in poly. Another engine specific feature to keep in mind is whether or not the engine supports Level of Detail (LOD). LOD for those who may not know is a system where the engine will use very low poly versions of a model if the player is far away, swapping the model in and out for high quality versions the closer you get to it. As far as I know, almost every engine out there supports LOD, but some like Active Worlds do not.

Down the road we go with Number 3: Music! Some may say (and argue) that music for an online game should be included into the category of “Artwork” – while this may be true depending on how you look at it, music in a game is incredibly important *aside* from your 3d models and 3d characters and so it receives its own spot.

Number 3: Music

In many ways music is the heart and soul of any environment you may create in 3D – it is literally the sound trick to which events occur, players win battles to, return home to, etc etc. Music is a vital tool used to set the mood in any setting, and without it your game will feel dead and like something is missing. In many ways, music helps to express for the player the mood of a specific area, it enhances and emphasizes what you are relating to your player. Do you want them to feel sad, anxious, excited, fearful? Because hearing is one of our primary sense (seeing, smelling, etc), one could argue that it is just as powerful in linking and creating memories. It should be one of your *top goals* to make people remember your game – making your game memorable is one of the tricks in making it both enjoyable and something that people will tell their friends about. Hearing, and the music in your game is one of the more subtle qualities that plays a huge part in how an environment *feels*. Think about what your favorite movie would sound like without sound and music?

This highlights another important aspect that is a sub category of music: sound effects. While music is the key that gives your environment some feeling and life, sound effects are what make the environment tangible and feel realistic. When a player is able to knock over a trashcan and as a result they hear the clanging of aluminum and tin rolling down the concrete they’re standing on, the player has an increased feeling of interaction with the environment. Think of the effect and life the environment takes on when a player goes from walking on stone, where their shoes may be clacking, to walking on dirt or mud, where the sound would naturally change quite dramatically. making good games is about mastering small (but powerful) details that immerse your player.

Many independent developers may shy away from placing such an importance on the music played in the game because in some ways it can be hard to come by for people with limited budgets. While music can be expensive (alright, no foolin’ it IS expensive) to have custom made, you can find some great deals on royalty free music for purchase online. In many cases these tracks are professionally made, and available for flexible licenses – either for independent folks, or commercial studios. It’s not uncommon for instance, to find 5-6 tracks on an indie license for around $100.

GarageGames.com has some great deals on music and sound effects – the sound effects found there are definitely a deal. You can find the page directly by visiting their content packages.

Gamedev.net also has some great resources relating to music in games, and provides a nice directory of sites containing stock and royalty free music. Check it out here.

At a later time it would be nice to include a directory of our own of some great music resources. Look for that later. In the mean time, let us know what you think about Music and Sound Effects inside of games that you’ve played, whether you thought they were effective and important to your gaming experience… And if you don’t agree, you can let us know that, too!

Now that we’ve covered much of the meat of your game (Storyline, Artwork, Music), we’re going to delve a little bit farther into game design and really define the skeleton of your game – the backbone, the thing that ultimately keeps people coming back to your game day after day. Storyline, artwork and music are important things that will really make your game feel complete, and make it less likely that people will stand in your local village, and look around wondering “What’s missing?” But ultimately when it comes to the development of your game, we’re now getting into what really matters. That brings us to today’s post…

Number 2: Game Flow

When it comes to game design in todays world there are really three primary types of flow that you game can follow. What exactly is game flow? The game flow, or structure of your game, is how players interact with it and storyline events, quests, missions, etc. It determines whether players can branch out and make the game what they want it to be, or if they’re locked onto a track that guides them into their pitfalls and excitement. Appropriately the three types of flow are as follows: Sand box, Roller-coaster, and a hybrid mix of the two. In many cases the way in which your game engages people, and how it forces them to interact with the environment and progress in the game will determine the types of players you attract to your game.

The most “traditional” game play style, or rather the most frequently used in the past has been that of the “Roller-coaster”. This type of game play is just as the name implies – users begin the game (get on the ride) and are carefully lead through the build up, the climax of storyline, pitfalls, exciting twists and turns, and ultimately the game ends with a rush of excitement. This could also be equated with the experience reading a book gives where there is a definite beginning and a definite ending of things. Many RPGs out there fall into this category, where your goals in the game are explicitly defined (conquer the evil demons of the sea and save the pretty girl) and while these games are a lot of fun, in some ways this system doesn’t always work as well in massively multiplayer online role-playing games (MMORPG’s) where you have dozens, hundreds, even thousands of people interacting with one another. This isn’t to say that there aren’t MMOs that pull it off (Guild Wars specifically comes to mind), and this isn’t to say that MMORPG’s that go the route of the Roller-Coaster aren’t wildly fun (as Guild Wars is). This IS to say that in more recent years people have begun to favor a newer breed of game where the options appear limitless, and if instead of rescuing that pretty girl from the evil demons of the sea, you want to go and be an innocent farmer… more power to you!

Enter the “Sandbox” games. In more recent years there has been a big push to these sandbox’s where people can do what they’d like. Similar to roller-coaster games, the name is synonymous with it’s real life counter part, the sandbox. The idea is that upon entering the game, if you decide to ignore the over arching and present storyline (remember our pretty girl), that you can do just that without any significant consequences. This type of game play is sometimes said to appeal primarily to ******** style gamers, although I’m not sure I fully buy into that philosophy. Often times I’ve found many casual players in sandbox type games who simply enjoy socializing with one another, mining together, exploring, etc, without all the insane time commitment of pursuing the major storyline events. In many of these games political and religious systems can be found, as well as a variety of job occupations. From what I’ve seen however, these games tend to be far more time intensive than roller-coaster games, simply because of the amount of time you need to pour into your character to forge your own path (and be successful at it). While some many not agree with me here, I would say EVE Online is definitely classifiable as a sandbox, as a majority of EVEs content, gameplay, and activities are created and inspired by the players themselves. GTA3 is also considered by many to be a sandbox game. That in itself is an important note: in sandboxes you will normally find a wealth of systems run by the players themselves, like guilds and factions – usually there is also an economy in game that is facilitated totally by players selling their personally made goods.

Finally, very recently we’ve hit a time when some people are discussing ways to make what you could call a mix between sandbox and roller-coaster games. I have yet to come across a good example of how this has been done (or how someone is working on one), I’ve only heard slight mention of it here and there. From what I gather though, there would be a few central over arching storylines taking place at one time, giving users their choice of how to proceed, and along the way providing ample opportunity for players to branch off onto their own paths, while still allowing them to come back to the big storyline. Some may again classify this primarily as sandbox, but I would argue that if at any time there is a great deal of direction coming from quests, storylines and developer driven content, that you begin to get more into roller-coaster elements. If anyone has run into what you’d consider to be a good example of a sandbox roller-coaster hybrid, please let me know! If you’ve ever read one of those “Choose your own ending” style books that plagued elementary and middle schools, you’ll understand what a sandbox roller-coaster hybrid might be like. While the player has choices (perhaps many, many choices!), things are still ultimately “guided” by an over all storyline, while leaving room for player created content. At the end of the day though, all of that is easier said than done.

Ultimately, deciding on what game system you use, or “Game Flow” method you use is going to be vital in developing your game. Like storyline, it will give you direction and more easily help you to make decisions about whether or not a specific feature would fit into your game. Not only will it help you to make decisions, but as a result it will help to shape your game. Direction and determination are absolutely mandatory in game development, and deciding on a Game Flow will at least help you in the direction department

We’ve covered some incredibly important aspects of your gaming environment – from visual stimulus, and the sounds that pull your travelers deeper into your game, to the stories that inspire and the game mechanics that help shape your players’ characters. However, at the end of the day there is one aspect that will bring everything home and determine whether or not your game is bursting with eager players, or an emptied ghost town.

Number 1: Activities, baby!

While friends within games come and go, quests are released and beaten, items are unveiled and later trumped – at the end of the day the gaming community is not unlike society at large; we are a disposable group of people. We love to love the hottest items, spells, houses, quests, but eventually they become something of yesterday and cease to draw as much excitement from the people who have been hanging around your game for a while. Many games falter because they fail to recognize that new content is a must, even if the content you already have is incredible. The typical gamer can crunch through your average game in less than a month and if you’re planning to release a game that has a monthly subscription, or the need to retain players for an extended amount of time, that’s bad news for you. Ultimately the solution to “What next?” and “Why are people leaving?” is to imbue your game and all of its nooks and crannies with valuable content and *things to do*. It is from this area that it seems most of the discontent for games comes from which means that it is not only imperative to have plenty of activities in the game when it first releases, but to follow up on those activities with new things to explore, find, and participate in in the following months and years of the games life span.

Not only does providing and planning activities in the beginning stages of your game design help create a game that will be fun to play, but it may also help to inspire other areas of your development as well. Events can inspire your storyline, and your storyline can help to give you ideas of activities and new plot lines, for example. In many ways this aspect of your game is what will help to build and foster the social community within your game, which is ultimately what ties people to specific games: the friends and community that would be left behind if they were to leave.

Ideally, there are a whole host of event and activity types you can create within your game. Some of them are global style events that involve almost everyone active in the environment at the time. Examples of such events would be those relating to real world holidays like Christmas, Halloween, etc. More often than not those are time periods in games where if there is nothing new going on, your game will lose out against real life in the excitement category. People will choose to spend time doing things other than playing your game, if this is the case. Now, while we at TGS appreciate family time and all, this is bad news for you. Create global events that match up to real life events that will make being inside your environment during this time fun, exciting, and provide the extra bit of holiday spirit for your players. There are also events that are recurring, such as player run elections and hunting parties that give your players something to do year round. Optimize these activities and make them readily available to players so that these are things they can easily take part in and enjoy.

There are countless numbers of events that you can include in your game to make things feel more lively – we’ve just covered a very small number of them here. Perhaps in a later post we can create another article in order to inspire you a bit more in this category. We’ll see! An important thing to remember when judging whether or not “activities” are your number one priority: an online game is at its best when there are ample things to participate in with others. When your game is one which does not foster socializing, it will more than likely become quiet and empty, and let’s face it – do we expect people to play (and pay for) an empty online game? Food for thought.

If you’ve enjoyed reading this, please visit our site at thegamestudio.com for more articles like it.

James Rothfork thegamestudio.com



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JT asked:


Nintendo has the longest history of creating quality games out of all the three current console makers. Some of the most memorable characters and franchises have been built and evolved over the last twenty years across multiple consoles, culminating in hundreds of amazing games. Though millions and millions have enjoyed popular titles such as Super Mario 64, Mario Kart and Zelda, there are some games that didn’t get the recognition they deserved and sold poorly in comparison.

Here I dig out ten of these titles. While they were a critical success, they failed to get in many gamers hands deserved for one reason or another. Most of you would have played some of, if not all of these games, but there are also many people that missed out on these gems.

The ten games after the jump all deserve your time to track down to see what you’re missing. Luckily eBay makes this an easy task.

1. Chibi-Robo! (Gamecube/Wii)

Chibi-Robo! can easily be classed as the Gamecube’s last classic, released late into the consoles life. Though it was an odd concept where you controlled a robot cleaning different rooms in a house in order to earn ‘Happy Points’, the game was a joy to control and offered a charming experience. Luckily those that missed it first time round on Gamecube will be able to give Chibi a second chance later this year when Nintendo re-release it on Wii with updated controls. Don’t let the idea of the game put you off. Chibi-Robo! is a little gem.

2. Okami (Wii/PS2)

Perhaps the biggest injustice in the history of videogames is Okami. Originally released on PS2 where sales were hugely underwhelming, Capcom gave Okami a second chance on Wii due to fans outcries that the games paintbrush mechanics would ideally be suited to the wiimote’s capabilities. They were right. The game is even better on Wii and quite frankly one of the most stylized and freshest games of the decade. The moment when you revive a blossom tree and se the landscape come to life is one of my favourite moments in gaming.

Though it is a very high accolade to compare Okami to Zelda, this should be the case as Okami holds its own next to Nintendo’s masterpiece. In my opinion, this deserved to sell millions but gamers largely ignored it. If you have not played this then I urge you to try it, you will not be disappointed.

3. Sin & Punishment (N64/Wii)

This is really in this list for Europeans. The game never saw release in Europe during the N64 days and has only recently become available on the Wii Shop. No matter where you are from, this Treasure developed game is well worth hunting down if you have never played it.

There are fewer more intense and exciting games than this on N64 and on any Nintendo console for that matter! Though it hasn’t aged particularly well in the looks department it is still a joy to play and one hell of a hectic shooter.

It is what Treasure do best and why I cannot wait for the Wii sequel to arrive some time this year.

4. Chrono Trigger (SNES/DS)

Many gamers reading this may be too young to remember Square’s Chrono Trigger the first time round on the SNES, which is why it is in this list (also another game that never made European shores until this years DS version).

Classed by many as the best 2D RPG, Chrono Trigger is an absolute must play game if you are a fan of the genre. Even 14 years after its release the game shines with a fantastic storyline, a brilliant battle system and a beautiful soundtrack. Well worth hunting down on your DS or SNES.

5. Eternal Darkness: Sanity’s Requiem (Gamecube)

Gamecube exclusive – Eternal Darkness was a gripping psychological horror game from Ubisoft. Though there have been many scarier and better looking horror games before and after this, no game has managed to quite mess with your head so much as Eternal Darkness.

The whole game from beginning to end was a hugely enjoyable experience. Few people witnessed the sanity meter in this game playing with your mind such as reversing controls, the hallucinogenic graphical effects or the game controller pretending to have been disconnected.

Seeing as the Wii plays Gamecube games, there is little excuse not play this if you haven’t already. Also Ubisoft if you are reading this – can we have a sequel, please?!

6. Blast Corps (N64)

While most people were playing Goldeneye and Banjo Kazooie during Rare’s N64 days, many gamers seemed to miss another of the developers treasures – Blast Corps.

Blast Corps was a clever puzzle/action hybrid game where you controlled a bulldozer. It was a far cry from Goldeneye, Jet Force Gemini, Banjo and all other Rare games but the quality and great gameplay remained. It seems quite boring on paper but clearing a path for your truck to drive through was great fun!

7. Zack & Wiki: Quest For Barbaros Treasure (Wii)

Highly rated Zack & Wiki failed to attract consumers attention and sold very poorly for such a high quality title. It is full of original uses for the Wiimote’s controls and though it was released early in the consoles life-span, few games since have put the wiimote to such original use. The game itself looks good, is fun to play and is full of excellent puzzles.

Personally I think the name change to ‘Zack & Wiki’ put some people off but no-one should be put of trying this Capcom developed game, especially as it can be found so cheaply in bargain bins!

8. Donkey Kong: Jungle Beat (Gamecube)

This is 2D platforming at its best. Nintendo opted for the use of the bongo peripheral on the Gamecube for the controls of this game. Players needed to bang the bongos and clap to make the Donkey Kong run and jump. To anybody that has never played this, that may sound very weird and not particularly appealing but in true Nintendo style, they pulled it off in style.

Donkey Kong: Jungle beat was a joy to play, even if it did make your arms hurt1 The graphics were vibrant and gorgeous to look at and it is still one of my favourite platformers to date. For some reason the masses largely ignored the title which is a huge shame Like Chibi-Robo! Nintendo are re-releasing the title on Wii with motion controls, but how this will fair up to the original remains to be seen. If you still have your Gamecube hunt this down with the bongos as it is a classic that screams to be played. It’s not the longest game in the world but the replay value of trying to beat your ‘banana count’ score will keep you coming back for more.

9. Beyond Good & Evil (Gamecube)

Another Ubisoft entry that was criminaly ignored by the masses and another Gamecube exclusive. Beyond Good & Evil was a good all round action adventure set in a strange world of humans, animals, robots and aliens.

The game creators invented a lovable cast and tasty looking world to explore, sewn together with a good storyline. The game also had novel features such as the lead characters ability to take photo’s during her adventure. It may not sound like much but this game’s total was more than the sum of its parts.

Hunt it down, it deserves your attention.

10. GTA: Chinatown Wars (DS)

This is a little borderline putting GTA: CW in this list. By any means the game has not ‘flopped’ and lots of handheld gamers have picked it up. However, many of the Playstation and Xbox GTA gamers seem to have shown little interest in the DS rendition as recent sales figures have shown.

GTA: CW holds its own very well with its fully-fledged 3D cousins on Xbox and Playstation. The sheer volume of content Rockstar have crammed in to the limited DS hardware is phenomenal. Nothing has been left out of Chinatown Wars. There is a full, vibrant, living city with so much to do it’s mind boggling. Everything you have come to expect from the series (and more) is here in the DS version. It looks great, plays great and is currently the highest rated DS game on metacritic.

Personally I found GTA: CW much more fun than GTA IV and every bit as good as any GTA game before it. It seems many people are missing out on this gem. If you own a DS, you should own this game, simple.

For more Nintendo news, views and speculation go to my website www.nin-ten-do.com



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Beteo Games asked:


With more and more people having an iPhone, so is the increase in demand for quality and fun applications for it. As the age of ownership of the iPhone getting younger and “savvy-er”, Having really cool games for the iPhone is an era on the rise and an era to watch out for software developers. But where does the future hold for the iPhone gaming world depend on?

The App Store for the iPhone and iTouch has a list of really cool applications that can help either entertain, or help people make life more convenient, but iPhone gaming on the other hand has its own focus.

For the past year, or maybe years, it has shown promise to be in line with the popular gaming consoles in the likes of Sony and Nintendo.

More Practical with the Economic Issues without the Sacrifice of Fun

More people are finding iPhone gaming more practical and less expensive other than some cartridges. I think another reason behind this is that they can enjoy a wide range of games from all genres without paying too much. If a new game is desired, the flexibility of having a new one in a snap is what makes the iPhone gaming really cool and shows a lot of promise.



Fresh Blood

But other than the software developers that we commonly see, the generation that shows another great potential in the iPhone gaming is the rise of the independent software developers. Maybe unknown at present, but the vision of new exciting games from fresh blood is in indeed the next level in iPhone gaming. Remember that the main stream developers nowadays started somewhere, from being independent to where they are right now.

Cost-wise, independent producers can produce the same quality at a lower price while building a name and trust to their soon to be customers. And isn’t it great to have a first hand experience to a really cool game before it goes mainstream?



“Promise of Coolness”

There are many developers out there, and most have that stage of lower quality production because they are just starting. I guess that is where boys are separated from the men. But there are few developers out there that create a “promise of coolness”, and one of those is Beteo Games. You can visit them at BeteoGames.com (www.beteogames.com)

Bradley and Bryan Cimo, pursues the applications and games development for Beteo, backed-up with 15 years experience. Indeed, Beteo Games is one of the promising game development companies to watch out.

Companies like Beteo games will show the iPhone gaming aficionados that cool, new and exciting games really come from anywhere. So expect more fun to come to the screens of your iPhone.



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